Interrogation—Jen Conley

V__3CEEWho: Jen Conley

What: Her short stories have appeared in Thuglit, Needle: A Magazine of Noir, Crime Factory, Beat to a Pulp, Protectors, Pulp Modern, Trouble in the Heartland: Crime Fiction Inspired by the Songs of Bruce Springsteen and many others. She has contributed to the Los Angeles Review of Books and is one of editors of Shotgun Honey. 

Where: New Jersey

Interview conducted by email. Some questions and answers have been edited.

I just read your excellent short story collection, CANNIBALS: STORIES FROM THE EDGE OF THE PINE BARRENS. How did this project came together?

I’d always wanted to do a collection, but I found that just writing for a collection was really difficult. So I put my goal aside and just wrote my stories. After a few years, I found that I had enough, and that I was happy with every story—not just sticking in some filler tales—I had my collection. Then I met Eric Campbell from Down and Out Books and I pitched it to him and it was a go.

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Quick Quotes—The Week In Publishing

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Robert Lamb at Stuff To Blow Your Mind (The Podcast)

“Once you start settling for no pay, then other magazines and anthologies will take note and offer you the same. Nobody’s going to pay you money if you don’t mind working for free. It is okay to love what you do and get paid for doing it.”—Max Booth lll via LitReactor

“All this has gotten me thinking about the language of writers and readers. My tribe! Of course there’s the craft language, like dramatize and close third, and there’s the business language, like galley and blurb. But there are a host of other moments in the life of a writer/reader that require their own special words.”—Edan Lepucki at The Millions

Noir at the Bar is full of writers who have made it, are in the processing of making it, or maybe aren’t there yet. The event can be raw or polished; the stories can be gritty or smooth. But overall, it has a punk sensibility, the stripped-down version of the craft, like seeing a band in a dive bar.”—Jen Conley at Los Angeles Review of Books

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Frank Portman (aka Dr. Frank) at Bad Citizen Corporation

“Artists need spaces off the grid, non-critical spaces, spaces where squares fear to tread. We need a laboratory. It’s the same reason comedians need underground clubs where they can try out new material and use language that respectable folks shy away from. For writers, genre fiction can be that laboratory.”—Sam Wiebe at Sirens Of Suspense

“Los Angeles is grit and grime. L.A. is glitz and sleaze; it’s the best (or worst, depending on your point of view) example of American excess blended with its rabid poverty. More or less, it’s the ideal city to place a crime story.”—Keith Rawson at LitReactor

S.W. Lauden is a writer and drummer living in Los Angeles. His short fiction has been accepted for publication by Out of the Gutter, Dead Guns Magazine, Criminal Element, Akashic Books, Spelk Fiction, Shotgun Honey and Crimespree Magazine. His debut novel, BAD CITIZEN CORPORATION, will be published in 2015. His novella, CROSSWISE, will be published by Down & Out Books in 2016.