“Once you start settling for no pay, then other magazines and anthologies will take note and offer you the same. Nobody’s going to pay you money if you don’t mind working for free. It is okay to love what you do and get paid for doing it.”—Max Booth lll via LitReactor
“All this has gotten me thinking about the language of writers and readers. My tribe! Of course there’s the craft language, like dramatize and close third, and there’s the business language, like galley and blurb. But there are a host of other moments in the life of a writer/reader that require their own special words.”—Edan Lepucki at The Millions
“Noir at the Bar is full of writers who have made it, are in the processing of making it, or maybe aren’t there yet. The event can be raw or polished; the stories can be gritty or smooth. But overall, it has a punk sensibility, the stripped-down version of the craft, like seeing a band in a dive bar.”—Jen Conley at Los Angeles Review of Books
“Artists need spaces off the grid, non-critical spaces, spaces where squares fear to tread. We need a laboratory. It’s the same reason comedians need underground clubs where they can try out new material and use language that respectable folks shy away from. For writers, genre fiction can be that laboratory.”—Sam Wiebe at Sirens Of Suspense
“Los Angeles is grit and grime. L.A. is glitz and sleaze; it’s the best (or worst, depending on your point of view) example of American excess blended with its rabid poverty. More or less, it’s the ideal city to place a crime story.”—Keith Rawson at LitReactor
S.W. Lauden is a writer and drummer living in Los Angeles. His short fiction has been accepted for publication by Out of the Gutter, Dead Guns Magazine, Criminal Element, Akashic Books, Spelk Fiction, Shotgun Honey and Crimespree Magazine. His debut novel, BAD CITIZEN CORPORATION, will be published in 2015. His novella, CROSSWISE, will be published by Down & Out Books in 2016.