What We Got Wrong About Ford Fairlane

I got the chance to speak with author Rex Weiner about his new book, “The (Original) Adventures of Ford Fairlane.” Fairlane was a rock n’ roll detective that emerged from the late 70s underground music scene and his adventures were originally serialized in the New York Rocker and LA Weekly. These days, people who remember Fairlane mostly associate him with Andrew Dice Clay’s performance in the 1990 movie, The Adventures of Ford Fairlane.

The truth is, that movie had little or nothing to do with Weiner’s original creation. So this new book is not only a chance to get (re)acquainted with Fairlane, but also an interesting tale about what happens to fictional characters after a decade spent banging around Hollywood.

Here’s one of my favorite quotes from the interview:

“What I liked about punk rock and New Wave in the 1970s was how it gave a middle finger to the corporate takeover of the music business. It felt like rock n’ roll—born out of young white middle class rebellion combined with black American culture—was making a last stand at CBGBs and the downtown New York clubs on the east coast, and at the Starwood and south bay clubs, and the Mabuhay in San Francisco on the west coast. It was dangerous and threatening to many of the musicians themselves, unfortunately, as much as to the society they confronted. But economics had a lot to do with its success, as the interviews in my book with Andy Schwartz and Jay Levin testify (publishers of the alternative papers that first serialized the Ford Fairlane stories). The cheaper cost of living in that era allowed those clubs to exist and gave artists freedom to create the music and culture that now seem so radical. I believe the same indie spirit is still alive and well in cities and town across the country and around the world—especially Hip Hop on a grass-roots level—but it’s more DIY than ever, and you have to look for it. If you’re in that mood. On my end, I’m listening to early Be Bop these days, mostly.”

You can read the whole interview right HERE at Crimespree Magazine.

S.W. Lauden is the author of the Greg Salem punk rock P.I. series includes BAD CITIZEN CORPORATIONGRIZZLY SEASON and HANG TIME (Rare Bird Books). Steve lives in LA.

Thanks For One Hell Of A Year


As the year comes to an end, I wanted to thank all of you awesome people for supporting my debut mystery novel, BAD CITIZEN CORPORATION. It’s a dream come true to publish a book, but nobody would have heard about it if it wasn’t for the feedback, support and encouragement of the greater crime/mystery universe that I am lucky enough to roam.

And thanks to my partners over at Rare Bird Books, and my editor Elaine Ash. Looking forward to bringing a second Greg Salem novel into the world in 2016 with your help. But not until Down & Out Books publishes my novella, CROSSWISE, in March.

Thanks for one hell of a year! Looking forward to another great one in 2016.


I also published 52 interviews on this blog in 2015. That’s a new Q&A every Monday for an entire year. Thanks to all of you who have taken the time to participate.

I have learned a lot about writing, publishing and marketing by connecting with such talented people. I can’t wait to continue reading your short stories and books, following your blogs and listening to your podcasts in 2016.

Here is a small collection of awesome quotes from those interviews in 2015:









S.W. Lauden’s debut novel, BAD CITIZEN CORPORATION, is available now from Rare Bird Books. His novella, CROSSWISE, will be published by Down & Out Books in March 2016.

Great #writingtips From Authors & Publishers

We’ve had the good fortune to interview some fantastic authors and publishers in the last year. Here’s a collection of writing tips and quotes from the last few months. Please click through to read the whole article and get to know these amazing talents.


Read my interview with Les Edgerton


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Interrogation—Tyson Cornell

 Tyson Cornell 2015Who: Tyson Cornell

What: Founder of Rare Bird Lit, a company specializing in book marketing, promotions, and design for authors and publishers; and Rare Bird Books, a PGW-distributed independent publisher that releases thirty-five books per year on its various imprints. He was once the longtime marketing and publicity director of Book Soup bookstore back when it was the CBGBs of independent bookstores, and he has toured extensively around the world playing with hair metal musicians.

Where: Los Angeles

Interview conducted by email. Some questions and answers have been edited.

I swear this interview is going to be about you—but first I want to hear all about the Chuck Palahniuk vinyl audiobook that Rare Bird Books just put out. How did that project happen?

CP VinylThe Palahniuk vinyl audiobook is something that we’ve been extremely excited about. We had the idea of starting a vinyl audiobook line a few years ago and, until this initial release, have just been consumed with the practical elements of how we might roll vinyl audiobooks out. The most important component we’ve needed to take into consideration is simply how to fit an entire audiobook on so many pieces of vinyl. The first contractual vinyl agreement was for Jerry’s Stahl’s PERMANENT MIDNIGHT—unabridged, read by Jerry, featuring a full 11.5 hours worth of musical accompaniment by The Icarus Line. We did production on that last year, and it’s scheduled for release later this fall/winter. The Stahl project is the one that I originally mentioned to Palahniuk’s people (David Hyde at Superfan and Todd Doughty at Doubleday), which quickly evolved into the vinyl release of EXPEDITION, a 56-minute FIGHT CLUB prequel story read by Chuck with music by Rob Campanella of The Brian Jonestown Massacre. We’re working on others now for release next year and beyond.

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